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I still don’t get what Hollywood’s obsession with him is as he’s flat out been awful in everything he’s been in, and he single-handedly sinks House of Gucci every time he’s on screen with a performance that feels like he was told to play someone as offensive as possible – almost feeling like a cartoon character brought to life.

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Jeremy Irons’ Rodolfo illustrates the split between old and new money by clinging onto the past – but as with The Last Duel, Scott has never been subtle – the first time we meet Rodolfo he is drenched in past glories, refusing to move on – and the distinct lack of subtly means the bluntness to House of Gucci feels like a sledgehammer, every point is overstated and oversaturised for all its worth – nothing is left in the realm of chance, and more depth would have been appreciated outside of Gaga and Driver because almost everyone here feels entirely one-note, with the biggest offender of them all being Jared Leto. The performances across the board are mostly superb – Lady Gaga absolutely steals every scene she’s in giving powerful nuance to Patrizia, the woman who would later go onto plot to kill her husband after being cut from the family – and Adam Driver’s calm, stoic and understated performance almost feels like a reversal from his cocky, dirtbag nature of The Last Duel.

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But with all that wealth, reputation and royalty – it feels like a curse, too – as its characters involved are about to find out.Īfter the patriarch dies and his son, Maurizio, marries an ambitious social climber Patrizia, a full on power struggle begins between the remaining Guccis as Patrizia tries to elevate the status of her husband within the family. Katie O’Connell Marsh (“Narcos,” “Hannibal”) serves as executive producer for Boat Rocker Studios.House of Gucci is the second Ridley Scott movie this year – on the heels of the underwhelming but ambitious The Last Duel, he delivers a tale of the ultimately doomed Gucci family, one of the wealthiest a name synonymous with power and style. Audrey Chon (“The Twilight Zone”), Amy Kaufman (“When They See Us”) and Elisa Ellis serve as executive producers alongside Andrew Baldwin (“The Outsider”), who also writes. “Invasion” is written and executive produced by Kinberg and Weil and executive produced by Jakob Verbruggen (“The Alienist,” “The Fall”), who also directed multiple episodes.

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The series stars Shamier Anderson (“Bruised,” “Awake”), Golshifteh Farahani (“Extraction,” “Paterson,” “Body of Lies”), Sam Neill (“Jurassic World: Dominion,” “Peaky Blinders”), Firas Nassar (“Fauda”) and Shioli Kutsuna (“Deadpool 2,” “The Outsider”). Set across multiple continents, “Invasion” follows an alien invasion through different perspectives around the world. “Invasion” follows an alien invasion through different perspectives around the world. The sweeping character-driven Apple Original series, produced by Boat Rocker Studios, will make its global debut on Apple TV+ with the first three episodes on October 22, 2021, followed by new episodes weekly, every Friday. Apple today revealed the premiere date and teaser for the eagerly awaited 10-episode science fiction drama series “Invasion,” from Academy Award-nominated and two-time Emmy Award-nominated producer Simon Kinberg (“X-Men” films, “Deadpool” films, “The Martian”) and David Weil (“Hunters”).